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| Meet the Storyfixer Larry Brooks Bestselling novelist Larry Brooks has been writing professionally for the past three decades, including a long list of teaching credits at writing workshops and seminars. For years he was a writer/creative director in the corporate communications world, scripting over 700 marketing and training videos and writing several warehouses full of brochures, speeches, web copy and other corporate oddities. He began writing and teaching fiction full time in 1999, shortly after the sale of the agency he co-owned, and – not coincidentally – just before the publication of his first novel. Larry brings three proven core competencies to his role of story coach at Storyfix.com. As a novelist… He is author of four nationally bestselling novels, including: - “Darkness Bound” (2000, NAL/Onyx), a USA Today bestseller - “Pressure Points” (2001, NAL/Onyx) - “Serpent’s Dance” (2003, NAL/Signet) - “Bait and Switch” (2004, NAL/Signet), starred review and Editor’s Choice (July) from Publisher’s Weekly, which also named it to their “Best Overlooked Books of 2004” (the only paper- back so named) and “Best Books of 2004” lists. Publishers Weekly calls Larry “a master of terror and suspense,” and his editor at NAL/Signet, Dan Slater, said, "By far, Larry Brooks is the most imaginative, compelling, and suspenseful author on our list. With each successive book, Larry tops himself with his superbly crafted plots and engaging characters." For more bio, blurbs, brags and other cool stuff, visit Larry’s author website: www.booksbybrooks.com As a screenwriter… Two of Larry’s screenplays were written on assignment for a Hollywood producer, and two others have been optioned. He is an eight-time quarterfinalist-or-better in the prestigious annual Nichol Screenwriting Fellowship competition, including a 2002 Finalist slot (top ten scripts out of 6011 entries) for the screenplay adaptation of his first published novel. Another of his scripts was an award winner at the Portland Creative Conference competition in 1996. He has been teaching screenwriting since 1985, and credits his study of the craft with his success as a novelist. He employs this cross-discipline approach in the application of his Four Corners developmental model, which emphasizes a structural approach while empowering character development and thematic depth. As a teacher, writing coach and writer’s advocate… Larry has been teaching writing workshops and leading seminars around the nation for the past two decades, using The Four Corners Of Story model to help writers at all levels further their writing goals. He has been “reviewing, chewing and renewing” manuscripts for individual writers over the course of his writing and teaching experience. Larry has been named a Mentor for the Oregon Writers Colony, and is active with such organizations as the Willamette Writers and the Oklahoma Writers Federation, among others. Booking A Workshop or Seminar Larry Brooks is an accomplished teacher of writers at all levels of the craft. He has lead many workshops and seminars over the past 20 years on a variety of topics. His core curriculum for The Four Corners of Story is a full symposium with 16 hours of classroom time, and is supported by worksheets, checklists, media and participative activities. He has adapted the curriculum for workshops of all lengths, some as short as one hour, and audience venues. Specific topics can be isolated and custom-developed for virtually any time- frame or audience-need required. The following announcement for a weekend seminar hosted by the Oregon Writers Colony provides a glimpse at the breadth and tone of this experience, and a roster of breakout topics for shorter workshop sessions: “Your Novel: Unblocked, Unleashed and Uninhibited”
down-on-paper” workshop, with a goal of delivering tools that will produce a “workable” first draft. Those who have taken my “Four Corners” classes in the past will experience a strong sense of déjà vu, since this workshop drills deeply into those basic elements of story and the mysteries of structure. But that’s not all, folks. It also includes: how to write effective scenes; how to write edgy; how to write visually and viscerally; how to unblock; how to light the pages on fire; developing the music of your “writing voice”; how to differentiate your work from what the insensitive tyrants on the publishing side call “the slushpile,” and anything else, on topic, that you want to discuss. Bring your ideas, your outlines, your partially finished manuscript, your finished work, your preconceptions and your misconceptions, and be willing to subject them all to self-imposed vivisection, as seen through an exciting new creative lens. organization. References are available.
"Trying to keep character, plot, setting and theme all working in my stories at the same time felt like juggling way too many flaming torches. Then I heard Larry Brooks' four-corners approach to plotting and I stopped worrying about getting burned." “Larry Brooks' insights are well thought-out and he's available for give-and-take to help you further understand the problem(s) in your script. He knows how to critique work without critiquing you - meaning if your writing is weak, he'll say what you need to hear but at the same time, you end up inspired to get back to work.” “I so much enjoyed the whole conference, particularly your lectures. It will take me days to sort out the rich tapestry.” “I wanted to tell you that I enjoyed your presentation. You helped me to clarify some of my thinking on the development of a novel. I decided to start, that is to actually take up pen and paper and start writing fiction.” “Larry, I want to thank you for a great workshop. You really said some things I needed to hear. Do you share your definition of writer's block? If so, I'd really like to have it to post in my writing room to remind me that I'm the one controlling it!” “Thank you so much for your participation in the OWFI Writers' Choice Conference. Everyone loved your sessions. You did an excellent job.” “The workshop gets 100% from me. Your teaching style is informative and entertaining. Liked the film clips, too. No suggestions for improvement.” “I don’t want my money back… I think I owe you quite a few more dollars. I was such a sponge all weekend long! Loved the humor, don’t change a thing, and thanks a million.” “Within the time frame allowed, you covered an amazing amount of material with good humor and wisdom, all seasoned with your own experience. Good stuff.” “Excellent seminar. I got more out of it than I though (I would). Clear, easy to understand information and guidelines. You know how to write and how to explain.” “I appreciate your generosity of spirit. I have taught for years. I have conducted workshops. Yours was excellent. In the tremendous battle to create art, by your writing and more importantly your gift to us of what you know, you are a warrior.” “I have never received so many pieces of the puzzle to writing. The squares to create each 100 pages is the best! I cannot imagine what you could have done to make it better. Your experience and humor made it so helpful and memorable.” “The entire process and concept of structure helped clarify what I have been attempting for the last 10-12 years. Thank you – I want to go home, get out my 3 by 5 cards and get started.” “Larry is very knowledgeable. I enjoyed his enthusiasm, and the videos enhanced the points he made. Great speaker. One of the more informative workshops I’ve been to in a long time.” “This was a 10 for me!” ”I like best your preparation and your generosity of time and personal experience. Your openness, too, and the way you created a safe place for everyone to ask questions. Fiction intimidated me before your presentation. I’m inspired to give it a try. Thanks, I rate your seminar a 10.” “This seminar is great for the type of writers here; this group is a pretty high level of practice and writing. Best for me was the structure outline and beat sheet information. Until our recent seminar with you I was writing by intuition almost exclusively. This will be freeing and more efficient by many months. Satisfation rank: 10-plus, and inspired.” “My rating for this seminar is a 10-plus. This means I received much more than anticipated. Thank you for your participation, production, caring, etc.” “I completely enjoyed the seminar. Your structure was well thought out, the content was very useful. The pace was good. Thank you for your time and talent. If the opportunity presents itself again, I will definitely sign up for another of your lectures.” “The most valuable thing for me today and yesterday was the realization I now had tools to get a grip on my story idea. I can see how to control the damn thing, how to find the trail, and better yet, now to make the map. Also of immense value – your openness, your enjoyment of the group. I’m feeling empowered to do my book, really for the first time. I’ve felt like I was kidding myself until this weekend, and what the hell was I going to do? Quit? Fake it? Struggle? Now I can see a way to start, and FINISH! I owe you big time.” “I got the most excited about writing scenes, but I got so much out of all of it. Am excited about writing again and eager to try the right brain type of writing. Your presentation and examples were great, as always. Rate it a 10. It was great. This was my third conference with you and I’ll come back again and again.” “Larry Brooks filled me with hope.” (Originals of all quotes on file.) |
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